Philosophical gestures in the poem "in the beginning was Oras" of Izzedine Mihoubi
Authors:
Article info
2020-07-02
2020-09-28
1903 - 1922
Keywords
- Compliance
- Think
- Existence
- Language
Abstract
Creativity features are related to each other, and this makes the poetic text intertwined from complex cognitive accumulations. From the above, this study goes beyond the issue of eliminating the purity of the genre, and it aimed at examining the relationship between poetry and philosophy. The study concluded that the text of the Algerian poet Izzedine Mihoubi "In the beginning was Oras" relates to the philosophical idea as the text of the rebellion against the power of bravery towards liberation from the Kogito principle "I think, I exist" to the principle of effectiveness "I do, I exist" in order toshow the focus tension in self and others "I think, they think for me"
Agti, N. (2022). Philosophical gestures in the poem “in the beginning was Oras” of Izzedine Mihoubi. An-Najah University Journal for Research - B (Humanities), 36(9), 1903–1922. https://doi.org/10.35552/0247-036-009-006
[1]N. Agti, “Philosophical gestures in the poem ‘in the beginning was Oras’ of Izzedine Mihoubi,” An-Najah University Journal for Research - B (Humanities), vol. 36, no. 9, pp. 1903–1922, Sep. 2022, doi: 10.35552/0247-036-009-006.
Agti, Naouel. “Philosophical Gestures in the Poem ‘in the Beginning Was Oras’ of Izzedine Mihoubi.” An-Najah University Journal for Research - B (Humanities), vol. 36, no. 9, Sept. 2022, pp. 1903–22. Crossref, https://doi.org/10.35552/0247-036-009-006.
1.Agti N. Philosophical gestures in the poem “in the beginning was Oras” of Izzedine Mihoubi. An-Najah University Journal for Research - B (Humanities) [Internet]. 2022 Sep;36(9):1903–22. Available from: http://dx.doi.org/10.35552/0247-036-009-006
Agti, Naouel. “Philosophical Gestures in the Poem ‘in the Beginning Was Oras’ of Izzedine Mihoubi.” An-Najah University Journal for Research - B (Humanities) 36, no. 9 (September 2022): 1903–22. https://doi.org/10.35552/0247-036-009-006.
الإيماءات الفلسفية في قصيدة (في البدء..كان أوراس) لــ:عز الدين ميهوبي
المؤلفون:
معلومات المقال
2020-07-02
2020-09-28
1903 - 1922
الكلمات الإفتتاحية
- Compliance
- Think
- Existence
- Language
الملخص
تتصل مظاهر الإبداع ويتأثر بعضها ببعض، مما يجعل النص الشعري تركيبا متداخلا من تراكمات معرفية معقدة، ومن ثم تتجاوز هذه الدراسة مسألة إلغاء صفاء النوع، لتبحث في علاقة الشعر بالفلسفة. وقد خلصت الدراسة إلى كونّ نص الشاعر الجزائري عز الدين ميهوبي "في البدء كان أوراس" يتصل بالفكرة الفلسفية، بوصفه نص التمرد على سلطة الكبح نحو التحرر من مبدأ الكوجيتو "أنا أفكر أنا موجود" إلى مبدأ الفاعلية "أنا أفعل أنا موجود"، سعيا إلى تعرية بؤرة التوتر لدى الذات والغير "أنا أفكر أنا مفكر فيه".
Agti, N. (2022). Philosophical gestures in the poem “in the beginning was Oras” of Izzedine Mihoubi. An-Najah University Journal for Research - B (Humanities), 36(9), 1903–1922. https://doi.org/10.35552/0247-036-009-006
[1]N. Agti, “Philosophical gestures in the poem ‘in the beginning was Oras’ of Izzedine Mihoubi,” An-Najah University Journal for Research - B (Humanities), vol. 36, no. 9, pp. 1903–1922, Sep. 2022, doi: 10.35552/0247-036-009-006.
Agti, Naouel. “Philosophical Gestures in the Poem ‘in the Beginning Was Oras’ of Izzedine Mihoubi.” An-Najah University Journal for Research - B (Humanities), vol. 36, no. 9, Sept. 2022, pp. 1903–22. Crossref, https://doi.org/10.35552/0247-036-009-006.
1.Agti N. Philosophical gestures in the poem “in the beginning was Oras” of Izzedine Mihoubi. An-Najah University Journal for Research - B (Humanities) [Internet]. 2022 Sep;36(9):1903–22. Available from: http://dx.doi.org/10.35552/0247-036-009-006
Agti, Naouel. “Philosophical Gestures in the Poem ‘in the Beginning Was Oras’ of Izzedine Mihoubi.” An-Najah University Journal for Research - B (Humanities) 36, no. 9 (September 2022): 1903–22. https://doi.org/10.35552/0247-036-009-006.
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