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The research tries to uncover the roots of the Palestinian popular song and takes it back to its origins, which relate to the joint assane, that lies deep in the human being hollow. The over-lapped relationship reaped, so much so it became a ritual, entered in luton nujoma, circulated in the popular memory like a wavering warble, connecting with the eternity, the finite with the infinite, and the first of things with their last. The research studies the children song Bukra al-Eid Whenaied as a model to feel the initial models within it and find out the symbols and rituals and ceremonials that germinated its origins and forged its denotation and icons. The end-result is to take it back to its genesis. The study reiterates the continuation of time, the mingle of the past with the present, and its permanency.